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[Interview] The Edgy and The Witty

Jeon San presents furniture and space design works using plywood and metal. His works do not feature any expensive materials or fancy formative elements. However, when one take a closer look, one can identify a carefully calculated structure and details. Sometimes, Jeon uses primary colours such as yellow, blue and ...

Feb 17, 2020
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Fashion School Gets a Brutalist Makeover: Acne...

In November 2019, Acne Studios opened its new headquarters, Floragatan 13, in Stockholm, Sweden. Renovating...

Feb 13, 2020
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The Relevance of Approaches to Public Value in ...

When trying to understand the meaning and value of an object, it is very useful to look at it in terms of i...

Feb 04, 2020
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Things Left Behind for the Places to Come

The Nodeul Dream Island Project was sparked by the contemplation of how the space will be filled and by who...

Feb 04, 2020
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10 Architectural Typologies in Seoul

Seoul, which became the capital as Hanyang in 1394 after the founding of the Joseon Dynasty in 1392, has be...

Jan 14, 2020
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[Interview] New Standards Derived from Nature

Lee Sisan employs the static nature of stone instead of manmade standards to construct furniture anew. By u...

Jan 14, 2020
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CROSSING FLOW: A STUDY ON THE RELATIONSHIP BETW...

In 2020, the 30th anniversary of diplomatic relations between Korea and Russia, a significant research focu...

Jan 13, 2020
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[Essay] A Constellation of Human and Architectu...

Kim Dongjin (professor, Hongik University)

Jan 03, 2020
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Revisiting the ‘Cosmopolitan Look’ and ‘Megacit...

In collaboration with National Museum of Modern and Contemporary Art (MMCA), the Korean Cultural Center in ...

Jan 02, 2020
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Icehouse to the Gallery Embraces Tunnels: FUJ...

In June 2019, a gallery and residence renovated by the Japanese architect Sakaushi Taku officially opened. ...

Dec 23, 2019
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Maps of the Hidden Landscapes and Forbidden Sites

‘Machine Visions’, Nam June Paik Art Center, Oct. 16, 2019 – Feb. 2, 2020

Dec 02, 2019
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Narrating Vietnamese Residential Culture Throug...

The third lecture in the SNU-MOKCHON Lectures, which aimed at promoting exchange between regional and inter...

Dec 02, 2019
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“Haha! What Does This Represent?”‐“What D...

Suh Jaewon and Lee Euihaing don’t make it easy for us. Every step along the way towards rationalising what ...

Nov 28, 2019
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[Interview] Beauty in Common Materials

Oneseo has discovered special features of various industrial materials. When he makes furniture with alumin...

Nov 25, 2019
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[Series] Living Sejong, Reading Sejong: Questio...

Living Sejong, Reading Sejong: Question After One Year (4)

Nov 25, 2019
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Women: The Language for the Future

To contend with architectural discussions in which women were either non-existent, erased, or marginalised,...

Nov 12, 2019
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A Female Professional Surviving in Korean Socie...

Nov 04, 2019
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There Will Be a Myriad of Side-Paths – If...

It is an era in which it is incumbent upon each individual to simply be truthful when speaking of their imm...

Nov 04, 2019
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Women Architects in Korea

Oct 31, 2019
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Architecture, Space, and Gender Equality

As more women are able to enter the public realm, the gender binary seems to have gradually softened. There...

Oct 31, 2019
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[Interview] Poetic Moments Encountered in Every...

There is a design studio that raises a question over familiar and obvious things. It is Studio EJ, run by E...

Oct 25, 2019