The Time of Machines and the Labouring Body: ‘M...

GM Korea’s Bupyeong Plant 2 (hereinafter Bupyeong Plant 2) was shut down on the 26th of November, 2022, cit...

Feb 11, 2026

Searching for a Criteria of Restoration and Reu...

The house of black scales, HEUKLINGAK (黑鱗閣), is named after its grey Japanese-style roof tiles and burnt...

Feb 06, 2026

Tools for Writing, Tools for Containment ‘Sense...

How can we describe the texture of letters? What kinds of material properties do they possess, and how can ...

Feb 03, 2026

[ESSAY] Living on the Boundary | Unsangdong Arc...

Residential architecture is not merely a combination of typologies, forms, or functions; it is closer to an...

Feb 02, 2026

[DIALOGUE] The Mathematics of the Birthday Vill...

In 2023, I wrote an essay for the a+u fala feature, titled ‘Art of Love’, and in it I mentioned the difficu...

Jan 29, 2026

[Editorial] What Makes Unsangdong’s Housing Exp...

Jan 28, 2026

Conforming to Place and Community: Moon Joowon

‘I am an Architect’ was planned to meet young architects who seek their own architecture in a variety of ma...

Jan 27, 2026

Towards an Architecture of Relationality (Part ...

Following the feature on Yung Ho Chang (covered in SPACE No. 690, FEATURE section), SPACE and Inha Jung (Pr...

Jan 14, 2026

Questioning Utopia at the Boundary: 2025 Mugak/...

The 5th 2025 Mugak/ Basque Country International Architecture Biennial was held across the three cities of ...

Jan 12, 2026

Building and Dwelling in an Era of Extinction a...

Regions are disappearing and cities are emptying out: this is a moment in which the optimism that inspired ...

Jan 09, 2026

Bridging Retail, Heritage, and Exhibition: ‘Lou...

A trunk is not just any travel accessory—it holds everything from clothing to picnic sets, books, mus...

Jan 08, 2026

[CRITIQUE] Image, Optimism, and Post-Rhetorical...

A profound and paradoxical tension defines the architectural landscape of contemporary Portugal. On one sid...

Jan 06, 2026

[Editorial] The First Wave of Deviation

Dec 31, 2025

Regenerating the Future of Old Places: Lee Euijung

‘I am an Architect’ was planned to meet young architects who seek their own architecture in a variety of ma...

Dec 29, 2025

The New Grammar Guiding Contemporary Exhibition...

The erosion of the genre boundaries across the arts – and indeed across many other fields – has...

Dec 23, 2025

[DIALOGUE] The Languages Describing GUBO Archit...

We usually manage to come to agreements well, so since the office opened, we have discussed every decision ...

Dec 22, 2025

[DIALOGUE] The Languages Describing GUBO Archit...

Let’s look at another private project, Slow Clay Studio (2024). This project remodelled a corner commercial...

Dec 18, 2025

25 Years of guga urban architecture and the Sea...

On the 7th of November, 2025, as part of the 25th anniversary exhibition ‘fiction non fiction’ by guga urba...

Dec 11, 2025

[DIALOGUE] The Languages Describing GUBO Archit...

This FRAME dialogue was planned to examine the recent works of GUBO Architects + Hong Jihak (hereinafter G...

Dec 09, 2025

This Prompts a Range of Emotions: Chung Isak × ...

From accusations of political collusion to sweeping interpretations of modernism, Thomas Heatherwick (direc...

Dec 08, 2025