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Realistic, Holistic, and Strategic: Helinox Creative Center Busan

Lifethings

written by
Yang Soo-in
photographed by
Kyungsub Shin
materials provided by
Lifethings
edited by
Park Jiyoun
background

SPACE April 2023 (No. 667)​ 

The Helinox Creative Center Busan is the third extension and alteration to a typical commercial building that was originally completed in 1996. When we first saw the building, the structural elements had some peculiarities that were pronounced, such as traces of the structural walls and beams that had been cutted, perimeter beams that didn¡¯t match the curtain walls, and cantilevered reversed beams on top of the slab supported by trapezoid beams. It was obvious that numerous remodels had been undertaken. This peculiar structural heritage was something we wanted to preserve and signal to visitors. Since the existing building¡¯s reinforced concrete structure had already achieved its maximum allowable load, the newly devised structural reinforcement and extension were completed using steel and carbon fibre, evidently demonstrating the hierarchy of appropriate structural members over time. In the building register, the stratum was listed as the first basement level. Encircled on three sides by retaining walls, the site had an average elevation of 4m above the actual ground surface. It must have been a situation in which it was possible to be approved as a basement level in 1996, according to the criteria in place at the time. Drawing on this unusual condition, one that wasn¡¯t attended to in the earlier extension and alteration procedure, we proposed building a new floating ground surface atop the parking lot. Surrounded by machinery, vegetation, buildings, and an ocean view, this artificial terrain would provide an unfamiliar outdoor park environment. The building, which until recently served as the company building for an engineering company, featured elevations of acute angles assembled using concrete, wood, glass, and base panels. In contrast to the characteristics of the site, which is open to the ocean, it gave off a hermetic and tense impression. In order to make the most of the great ocean view and the fact of being a commercial store, some of the bearing walls on the elevation were removed to increase transparency. Inspired by the ocean, waves, and the outdoor environment, the new elevations were reconfigured using various curved surfaces of many different angles, all of which were realised by the combination of two kinds of custom-built bricks. Due to the nature of the store, in which various events and pop-ups take place, a signature staircase on the front façade, an outdoor staircase on the rear elevation, and a freight elevator were added, while the existing elevators and stair hall were extended into the rooftop event space. (written by Yang Soo-in​ / edited by Park Jiyoun)

 

 

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You can see more information on the SPACE No. 667 (June 2023).​ ​ 

Architect

Lifethings (Yang Soo-in, Lee Heunjoo)

Design team

Jung Kyeongjin, Kim Minjeong, Park Sunyoon, Kwon

Location

217, Dalmaji-gil, Haeundae-gu, Busan, Korea

Programme

retail, cultural facility

Site area

1,022.1§³

Building area

423.2§³

Gross floor area

2,753.5§³

Building scope

B2, 6F

Parking

22

Height

28.68m

Building to land ratio

41.4%

Floor area ratio

176.8%

Structure

RC

Exterior finishing

brick tile, STO

Interior finishing

paint, terrazzo

Structural engineer

ENA Structural engineering

Mechanical and electrical engineer

GK ENG

Construction

ILLU Construction

Design period

Oct. 2020 – April. 2021, Jan. ~ Mar. 2022

Construction period

July 2021 – Mar. 2023

Client

Helinox

Landscape design

GOGIRI farm


Yang Soo-in
Yang Soo-in is a Seoul-based designer and public artist. His works range from buildings and public artworks to branding and advertising. He has been widely published internationally including The New York Times, International Herald Tribune, MARK and has won Prix Ars Electronica, Red Dot Design Award and iF Design Award. He was selected as one of the ¡®Modern-Day Leonardos¡¯ from the Chicago museum of Science and Industry in 2006. He was an adjunct assistant professor at Columbia University Graduate School of Architecture, Planning and Preservation (2005 – 2011) where he received Master of Architecture degree with highest honor.

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