If the pattern of ¡®perforation phenomenon¡¯ observed by the Mid-Size City Forum in the last issue is anythin...
reportAug 28, 2024
How did Opuntia ficus-indica end up in the Jeju Island? In this exhibition, Jung Yeondoo begins with the st...
newsNov 06, 2023
The art critic Park Yongsookʼs ¡®Why, It Is Ideological?¡¯ published in SPACE No. 84 (Apr. 1974), again ...
reportDec 22, 2022
Designed in 1971, at a crucial moment in Korean modern history that can be traced through a series of incid...
reportNov 24, 2022
¡®Architect Yoon Seungjoong¡¯, the sixth in the series, must be very meaningful from the viewpoint of ¡®Re-vis...
reportSept 23, 2022
SPACE played a significant role in the production and reception of Korean art in the latter half of the twe...
reportAug 16, 2022
The ¡®Residence for OH¡¯, as featured in SPACE No. 56 (July 1971), is a small detached house of 34-pyeong (ab...
reportJul 25, 2022
Park Kilyong was covered, a month later than Kim Chung-up, in SPACE No. 6 (Apr. 1967). It was entitled ¡®Arc...
reportJun 22, 2022
In July 1967, SPACE No. 9 was conceived as a special issue on Japanese modern architecture. During the peri...
reportMay 19, 2022
Is anyone easily persuaded that the designer of this extraordinary house, the Residence of Mr. Kang, is Yoo...
reportApr 19, 2022