[DIALOGUE] The Methods Behind Neighbourhood Living Facilities ¦¡ FLEXIBILITY: PRECISION
photographed by
Kim Yongkwan
materials provided by
L¡¯EAU design
edited by
Youn Yaelim
SPACE March 2025 (No. 688)
Nonhyeon Matryoshka (2014)
DIALOGUE
Kim Dongjin professor, Hongik University ¡¿ Lee Sungyong principal, SYL Architects ¡¿ Zo Hangman professor, Seoul National University
FLEXIBILITY: PRECISION
Neutral Plans
Zo Hangman(Zo): I sense that Kim subtly prioritises temporary occupants than client. The idea of architecture without an owner also reflects this approach. But this is precisely why clients keep coming back to him. His neighbourhood living facilities are flexible in a conceptual way, but are also spatially adaptable. If you take a look at the standard floor plans, they are incredibly simple, especially in a way that consistently maintains a universal form for rentable spaces. Architects with excessive ambition often struggle to do this. I see it as a keen response to the capitalist spirit of today. (laugh)
Kim Dongjin(Kim): Flexible architecture is neutral architecture. Neutral architecture is a space of potential, which comes from emptiness. If architectural forms and floor plans become overly complex, flexibility is lost. The free forms and styles that architects obsess over ironically constrain the freedom of use. When letting go of the urge to attribute excessive meaning to form, space becomes simpler, and the focus is led on the essential structure. If the client desires profitability, the architect¡¯s task is clear: design to enhance the potential for rental and convenience.
Zo: The flexibility in Kim¡¯s work comes from the regularity of the spaces. He tends to eliminate all excess. Except for Huam Karst, which sits on a triangular plot, all the projects I have seen share a clean layout. It features pure white private spaces paired with attached communal spaces. When rental spaces are small or have basement constraints, he adds incentives such as ¡®this unit may be compact, but it comes with a terrace, a su...
*You can see more information on the SPACE No. March (2025).
*Subscribers can browse through E-Magazine right now. >> Available Here
Lee Sungyong graduated from the department of architectural engineering at Hanyang University and the graduate school of architecture, planning and preservation at Columbia University in New York. Afterwards, he worked at Morris Sato Studio in New York and NBBJ in Los Angeles, and worked at HAEAHN Architecture after returning Korea in 2015. He has established and operated SYL Architects since 2019 and is an adjunct professor in the department of architecture at Hanyang University. Major works include EH Marine House, Sinsa Samwon Garden Main Building, Sandy Box, PLUTO and JUPITER and he won the Ulsan Metropolitan City Grand Prize in the general sector in 2020, the Gangnam-gu Beautiful Architecture Promotion Award (2022) and the Beautiful Architecture Award (2023, 2024).
Zo Hangman
Zo Hangman studied at the department of architecture at Seoul National University and the graduate school of architecture at Columbia University. After working at KYWC Architects, iarc, and GreenbergFarrow in New York, he participated in the establishment of H Architecture and oversaw design. Since 2013, he has been serving as a professor in the department of architecture at Seoul National University, and has been working as a co-principal at TAAL Architects with Seo Jiyoung. His major works include the Sejong Public Administration Town Master Plan, the Government Complex Sejong 1-1, 2-2, the 2012 Yeosu Expo International Pavilion, and the Korea Hydro & Nuclear Power Gyeongju Hwabaek Convention Center. In addition, he won the 2010 WAN Building of the Year Award, AIANY Design Awards (2009, 2010), Kim Swoo Geun Preview Award (2016), and Korea Wood Design Award (2018, 2021).