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Between Destiny and Skepticism: Painter N¡¯s House | a.co.lab architects

written by
Chung Isak
photographed by
Roh Kyung (unless otherwise indicated)
materials provided by
a.co.lab architects
edited by
Park Jiyoun
background

SPACE October 2024 (No. 683) 

 

©Choi Yongjoon 

 

Painter N¡¯s House (2024) in Yeonhui-dong is the remodeling of an old residence and studio that the client couple who are painters lived in for ten years. The project was an attempt to find a new form for their existing way of living. The first and second floors are accessed by the existing alleyway staircase as the original way instead of adding an indoor staircase, and the small but familiar scenery such as the existing cabinet inlaid with mother-of-pearl in the master bedroom and the IKEA ceiling manual lightings have been retained. The lush exterior insulation was stripped away to reveal the original decoration bricks, and we added similar bricks found from a redevelopment site over the mountain. Previous occupants have changed the building structure over the years. It was important to find a formal, three-dimensional grid within the existing house¡¯s atypical floors and walls to complement the performance of the existing structure. Columns within the physical contact are reinforced with wood, beams by metal, and the extruded volume from inside the existing building finish rises to the level of the railing next door. The gutters have been left exposed to unite the ends of the roof, and downspouts have been placed on the structural axis or made as outdoor structural reinforcement. The hope was that furniture elements and minor devices would be part of the structure, organised to function as part of the whole system. 

 

 

 

 

 

 

 

 

Process diagram

 

 

Sectional axonometric 

You can see more information on the SPACE No. October (2024).


Chung Isak
Chung Isak opened a.co.lab architects in 2013 and is a professor at Dongyang University. He has worked on a wide range of architectural projects and has participated in both architecture and contemporary art exhibitions as an artist and curator. He participated in the 2016 Venice Biennale (as curator and artist in the Korean Pavilion), 2016 Beijing Design Week (as curator of Korean Pavilion), ¡®CAMP 2020¡¯ (as art director), as well as in public art projects such as Seoul is a Museum and Hangang Art Park. His work has been exhibited at Seoul Museum of Art, Arko Art Center, and Busan Museum of Art. He is also the co-author of the book, The Seoul, City Microhistory (2016).

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