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Always a Little Closer to Utopia: Sluishuis Residences | BIG

BIG

materials provided by
BIG
edited by
Kim Bokyoung
background

SPACE October 2026 (No. 707) 

 

©Ossip van Duivenbode​​

 

©Ossip van Duivenbode 

 

 

interview Finn Nørkjær Partner, BIG × Kim Bokyoung ​

 

 

Kim Bokyoung (Kim): Sluishuis Residences (hereinafter Sluishuis) began as the winning entry in an international competition held by the City of Amsterdam in 2016. What do you think was the core idea that convinced the jury and the city?

Finn Nørkjær (Nørkjær): I think what convinced the jury was the project’s simplicity and clarity, combined with its deep roots in the European perimeter block tradition. The idea can be relayed in a matter of seconds: we take the city’s most familiar form, push one corner down, pull another up, and let the sea enter the courtyard. This account can also unfold into a broader narrative about how contemporary urban life does not need to turn its back on the surrounding landscape but can instead allow the two to merge.

 

 

 

©Ossip van Duivenbode​​

 

 

Kim: Sluishuis stands on an artificial island in Lake IJ, in the IJburg district—a site newly created entirely through urban planning, with no existing urban fabric or historical context to respond to. What new attempt were you able to realise here?

Nørkjær: On a tabula rasa site, every design move becomes both freer and more consequential. A conventional closed perimeter block would have felt alien here, as if a European urban form had simply been transplanted into a landscape with no urban memory of its own. Instead, we were able to create a new hybrid: a perimeter block that opens itself up and allows the water to become part of its internal life. It is a typology that ...

 
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Architect

BIG (Bjarke Ingels, Beat Schenk, Daniel Sundlin, Thomas Christoffersen)

Design team

Adrien Mans, Alessandra Peracin, Ashton Stare, Blake Smith, Casey Tucker, Claire Thomas Spiller, Dammy Lee, Eva Maria Mikkelsen, Evan Wiskup, Høgni Laksafoss, Iva Ulam, Jakob Sand, Jan Casimir, Jason Wu, Julien Beauchamp-Roy, Kristian Hindsberg, Marcin Fejcak, Marie Lançon, Maureen Rahman, Maxime Le Droupeet, Natalie Kwee Ming Yie, Pascal Loschetter, Sara Ibrahim Abed, Teodor Javanaud Emden, Tore Banke, Ute Rinnebach, Veronica Lalli, Vivien Chang, Yaziel Juarbe

Location

Rte de France 18, 1348 Le Brassus, Switzerland

Programme

museum

Site area

3,800m²

Building area

1,473m²

Gross floor area

2,373m²

Building scope

B1, 1F

Parking

24 (550m²)

Height

5.75m

Structure

glass, concrete, steel

Exterior finishing

glass, brass

Interior finishing

terrazzo, glass, brass, wood

Structural engineer

Luchinger und Meyer

Electrical engineer

MAB-Ingenieurs SA

Construction

CCHE

Design period

2013–2016

Construction period

2016–2020

Client

Audemars Piguet

Landscape design

L’Atelier du Paysage

Lighting design

LDE BELZNER HOLMES

Project designer

Otilia Pupezeanu

Project manager

Rune Hansen, Simon Scheller

Project architect

Matthew Oravec


Bjarke Ingels
Bjarke Ingels is a Danish architect and the Founder of BIG (Bjarke Ingels Group), a multidisciplinary design studio operating at the intersection of architecture, urbanism, landscape, and systems thinking. His work is driven by the belief that architecture can be a tool for turning fiction into fact—merging pragmatic solutions with utopian possibilities. Ingels has led projects that redefine typologies and challenge conventional constraints. From the ‘courtscraper’ VIA 57 West in Manhattan to the skiable waste-to-energy plant CopenHill, his work proposes that sustainable cities can not only be better for the environment, but also more enjoyable to live in.

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