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Always a Little Closer to Utopia: Suzhou Museum of Contemporary Art | BIG

BIG

materials provided by
BIG
edited by
Kim Bokyoung
background

SPACE October 2026 (No. 707) 

 

©StudioSZ Photo / Justin Szeremeta

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©Ye Jianyuan

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interview Cat Huang Partner, BIG × Kim Bokyoung​

 

 

Kim Bokyoung (Kim): The Suzhou Museum of Contemporary Art  (Suzhou MoCA) reinterprets the traditional Chinese gardens of Suzhou, one of the cradles of Chinese garden art. What aspect of Suzhou’s traditional gardens did BIG consider to be the most essential, and how was it translated architecturally?

Cat Huang (Huang): I find the Suzhou gardens fascinating and paradoxical. They look natural but are intensely curated. They feel boundless but adopt small footprints relative to the experiences they create. For me, the gardens are defined by a recurring sense of revelation and delight upon turning a corner. In the Suzhou MoCA, it was important that the garden was something to be discovered and not immediately understood. This was something of a paradox for us, as the architectural organisation was strictly defined by orthogonally laid out ribbons that become both pavilions and walkways. From the Ferris wheel, the gardens appear as a series of individual picture frames—separate objects with their own identities and boundaries. However, once inside you realise that it’s an illusion and the gardens flow into one another. The views become layered—the pavilion corners become compressed passages, leading to framed openings, and then release into a large...

 
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Architect

BIG (Bjarke Ingels, Cat Huang)

Design team

Aileen Koh, Amanda Lima Soares Da Cunha, Arda Çinçin, Athena Morella, Bianca de Lira Silva, Caroline Senyszyn, Chih-Han Chen, Christian Vang Madsen, Cris Guoyu Liu, Desislava Georgieva, Dora Jiabao Lin, Eddie Can, Eleonora Niccoli, Eric Li, Fabio Sala, Federica Fogazzi, Federico Martínez De Sola Monereo, Filip Fot, Filippo Cartapani, Finn Nørkjær, Gwanghyeon Park, Haochen Yu, Huiyao Fu, Izabella Banas, Jakub Kulisa, Jan Magasnik, Jana Semaan, Jason Cheuk Hei Lee, Jiaqi Yang, Jia

Location

Suzhou, Jiangsu, China

Programme

museum

Site area

48,820m²

Building area

19,150m²

Gross floor area

59,500m²

Building scope

B2, 2F

Parking

car – 139, bicycle – 179

Height

24m

Building to land ratio

39.26%

Floor area ratio

42%

Structure

RC with steel roof

Exterior finishing

curved and fluted insulated glazing unit (1.5m wid

Interior finishing

terrazzo, wood wool, green marble, stainless steel

Structural engineer

BIG Engineering, ARTS Group Co., Ltd.

Construction

Suzhou Erjian Construction Group Co., Ltd. (general), Suzhou Kelida Building & Decoration Co., Ltd. (façade), Suzhou Industrial Park Kete Building Decoration Co., Ltd. (façade), Suzhou Guomao Jiahe Construction Engineering Co., Ltd. (interior)

Design period

Jan. 2022–June 2023

Construction period

Jan. 2023–Dec. 2025

Client

Suzhou Harmony Development Group Co., Ltd.

Landscape design

Shanghai Shuishi Landscape Design Co., Ltd.

Design lead

Matteo Pavanello

Project manager

Molly Hsiao Rou Huang

Project architect

Kekoa Charlot, Tseng-Hsuan Wei, Tyrone Cobcroft


Bjarke Ingels
Bjarke Ingels is a Danish architect and the Founder of BIG (Bjarke Ingels Group), a multidisciplinary design studio operating at the intersection of architecture, urbanism, landscape, and systems thinking. His work is driven by the belief that architecture can be a tool for turning fiction into fact—merging pragmatic solutions with utopian possibilities. Ingels has led projects that redefine typologies and challenge conventional constraints. From the ‘courtscraper’ VIA 57 West in Manhattan to the skiable waste-to-energy plant CopenHill, his work proposes that sustainable cities can not only be better for the environment, but also more enjoyable to live in.

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