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Void with Abundance: New Library at Korean Cultural Center New York

studio [em]pathy + PRAXES

written by
Choi Changhaak
photographed by
Michael Moran (unless otherwise indicated)
materials provided by
studio [em]pathy, PRAXES
edited by
Ryu Jin
background

Void with Abundance

 

©Michael Moran, Image Courtesy of studio [em]pathy and PRAXES​ 

 

New York-based design team Changhaak Choi from Studio [em]pathy and Jiyoung Kim from PRAXES recently completed a library project that transforms the K-Space in New York City. The design seamlessly blends archaic forms with a minimalistic and contemporary aesthetic which insights a biophilic space.

 

©Michael Moran, Image Courtesy of studio [em]pathy and PRAXES

©Michael Moran, Image Courtesy of studio [em]pathy and PRAXES

 

Located in Midtown Manhattan, the library occupies approximately 1,600 square feet on the 3rd floor of the Korean Cultural Center New York's new venue. It boasts a collection of over 10,000 books, periodicals, government publications, and multimedia resources in both Korean and English, covering a broad spectrum of historical, social, and cultural topics. In addition to its primary functions, the library provides research assistance on Korea, introduces Korean writers to the New York City, and includes a children's section to educate the next generation of Korean-Americans and those interested in Korean culture. This new library aspires to be a cultural hub, promoting information exchange and enhancing mutual understanding of Korea among the Korean-American community and the broader New York population.

 

The design for the library envisions a new type of small-scale community library that encapsulates the unique beauty of K-space. This is achieved by revisiting traditional Korean architecture and applying its principles to the spatial design. The library's layout emphasizes creating a communicative function, a key aspect of contemporary library design, through the concept of ¡°Circulative Space.¡± This design avoids conventional functional zoning by arranging book shelving units in a way that encourages continuous movement and interaction.

 

©Michael Moran, Image Courtesy of studio [em]pathy and PRAXES

 

©Michael Moran, Image Courtesy of studio [em]pathy and PRAXES

 

Drawing inspiration from the naturalism and forms found in Korean traditional architecture, particularly Han-Ok (traditional Korean housing), the wooden shelving units are arranged in a single rectangular loop. This loop creates an open space in the middle, connected by openings that allow free navigation along and through the shelves. This design enables visitors to continuously explore the diverse scenery of book stacks and enjoy views of the rooftop garden through glass walls, seamlessly integrating indoor and outdoor elements. The reading zone, unlike conventional libraries, is integrated into the middle of the shelving loop, forming a small courtyard-like space that serves as the heart of the library. Surrounded by book stacks, this courtyard is covered with stone panels and designed to be an inclusive space hosting multiple functions, including reading, gathering, and occasional publishing events. Wooden stools, designed in a cubic module, are scattered throughout the space with small herb planters, allowing for diverse group or individual activities. This arrangement not only facilitates various uses but also enhances the communal and comfortable atmosphere of the library.

 

©Michael Moran, Image Courtesy of studio [em]pathy and PRAXES

©Michael Moran, Image Courtesy of studio [em]pathy and PRAXES

 

The shelving design further enhances the courtyard atmosphere by embodying the concept of ¡°Funitecture,¡± where furniture resembles architectural components. Inspired by the post-and-lintel wooden assembly at wall and the joint techniques at eave of traditional Korean housing, the shelving units incorporate these architectural elements. The modular units are meticulously fabricated with repeated patterns of thin plywood panels, slats, and metal components to minimize the framework's visibility while meeting commercial-grade shelving requirements. The top storage units, designed with a series of lattice structures in five vivid colors, complete the building-like shelving units. This design resonates with the vibrant book spines, creating a dynamic visual contrast with the monochromatic, bright wood shelves, and light grey stone floor. The entire space is designed with sustainability and cost-efficiency in mind. All wooden elements share the same thickness and are manufactured from uniformly sized boards, minimizing construction waste and reducing project cost. This thoughtful approach not only achieves aesthetic harmony but also aligns with eco-friendly practices.

 

©Image Courtesy of studio [em]pathy and PRAXES

 

Overall, the library stands as a testament to innovative design, merging traditional Korean architectural elements with modern functionality. It aims to be a cultural hub, fostering communication, learning, and a deep appreciation for Korean culture among the Korean-American community and the broader New York populace. This project showcases how cultural heritage can be preserved and celebrated through thoughtful and contemporary design, creating a unique and enriching environment for all visitors.

Architect

Choi Changhaak, Kim Jiyoung

Location

Manhattan, New York

Programme

Library

Building area

about 1,600sq.ft.

Construction

DKT Contractors LLC

Design period

6 months

Construction period

1 year

Client

Ministry of Culture, Sports and Tourism, Korean Cu


Choi Changhaak
Choi Changhaak is a designer based in New York and Seoul. He is the founder of Studio Empathy where he leads all scope of design solutions in architecture, interior, graphic and furniture. He has been establishing professional distinction in design industries based on his interests on ¡°tectonics¡± and ¡°reciprocity¡± in architecture. His design recognized with numerous design competition winning entries and awards including Would Architecture News (WAN) Awards, Matthew W. Del Gaudio Memorial Award, and nominated as 100 Architects of the year 2019 in Korea by UIA and appointed Next Generation Design Leaders by Korea Institute of Design Promotion. His works exhibited in New York, Seoul and Madrid, and published extensively in leading architecture journals and books worldwide.
Kim Jiyoung
Kim Jiyoung, RA, is an architect and educator based in New York City and the principal of a M/WBE certified architecture firm PRAXES. The firm¡¯s design-research is grounded in its commitment to expanding spatial impacts by investigating social, cultural, and experiential aspects of the built environment through strategic interventions. In addition to her professorship at Pratt Institute, Ji Young has taught at the New Jersey Institute of Technology and City University of New York. Her studio focuses on developing advocacy through design and received the Donghia grant. Ji Young¡¯s work has been extended through publications, lectures, and initiatives.

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