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THE FAÇADE AS A HIDDEN SPACE: VENT

UIA

written by
Wee Jinbok
photographed by
Kyungsub Shin
materials provided by
UIA, FRONT Inc.
edited by
Kim Jeoungeun
background

SPACE December 2023 (No. 673) 

 

Signage often occupies concealed spaces within commercial streets. To bring about a change to the current banner system, a proposal for a façade system that aligns with the increasing dynamism of our urban streets that can flexibly adapt to commercial use has been put forward. This transition involves shifting from one-way to two-way signage, ultimately serving as a multi-dimensional communication plane.

 

Urban Context

The area near Hongik University (hereinafter Hongdae), where VENT is located, is one of Seoul¡¯s most popular neighbourhoods among young people. It boasts renowned establishments such as Samgeori Pocha, KT&G Sangsangmadang, Hongdae Playground, and more, making it a central hub for commercial buildings. Hongdae, in conjunction with the nearby Yonsei University, Ewha Womans University, and Sogang University, collectively forms a large university campus zone. Despite its compact size, this area exerts its influence across surrounding neighbourhoods like Yeonnam-dong, Mangwon-dong, and Gwangheungchang Station, thanks to its accessibility from the Gangbyeon Expressway and other routes. In tandem with the ongoing underground development project at Hongik University (Hongik University Innovation Growth Campus), this area is poised to evolve into a broader urban campus city from its current status as a local district. More recently, the outdoor parking space adjacent to this building has been transformed into a linear square, attracting increased pedestrian traffic and hosting various events, performances, and festivals.

 

Yeouido Business Street vs. Hongdae Club Street

Various commercial establishments, such as escape rooms, karaoke bars, clubs, room cafés, and board game cafés, take precedence here, and, notably, they do not require windows. Unlike Yeouido, where businesses tend to operate less during the day, the situation in Hongdae club street is quite the opposite. Enclosed commercial spaces are expanding their commercial messages through 

windows and walls by extending the one-way delivery of banner messages. Pedestrians and social media users register these signs and enter at the invitation of the destination. The purpose of the signage ends here, as they have transformed into the features of façades.

 


 

 

Signage and Social Media

City and architectural planning attempt to regulate the size and design of signage, but property owners and businesses do not always adhere to these plans. Perhaps these regulations are ineffective due to their elitist and idealistic nature? Beyond signage, façades now serve as interactive spaces and media platforms in and upon which diverse forms of communication take place and will continue to evolve. People no longer rely on physical maps for navigation, and shopping no longer involves browsing the windows of a high street. Mobile phones have transcended the physical limitations of a space, seamlessly bridging the gap between a physical location and the digital realm. Hongdae clubs are establishing an extended sense of place through their use of social media. In the midst of these advancements, what new architectural propositions can be offered and how can architecture flexibly adapt to an evolving style? 

 

Futureproofing

¡®You are sitting at a café recommended to you by an algorithm, at a table that was cut on a CNC milling machine; you pay for your coffee with cryptocurrency, which you do by tapping your smartphone against the register; the voices of children playing an AR game filter in from the street. And while not a single aspect of this situation would have been possible even five years ago, none of it seems particularly remarkable to you. This is simply the shape of the normal in our time.¡¯ (Adam Greenfield, Radical Technologies: The Design of Everyday Life, 2017)

 

A façade serves as an offline message board in the absence of balconies, terraces, and stairs, while also functioning as an interactive online social media platform. How will the future of Hongdae club street, shaped by its signage, continue to evolve? 

In situations in which building¡¯s tenants change frequently, how can they adapt to this quality of the urban environment? How can the building¡¯s exterior design accommodate various leasing scenarios, such as leasing a single floor, multiple floors, or the entire building? What architectural ideas can transform the façade into an interactive medium for communication with pedestrians and customers, moving beyond the one-way mode of delivery common to signage?

 

Architectural Planning and Façade System 

To optimise the use of space for tenants, the interior space has been designed with a smooth, column-free layout using a post- tension structure. Alongside these indoor spaces, the outdoor terrace areas have been actively incorporated. The desires to project and suspend massing configurations of the building, as well as the desire to place signage close to the street, are sometimes in conflict. The zinc-coated pipe façade system of this building forms a unified vertical plane along the street. One vertical plane can accommodate various banner designs and tenant requirements. On the rooftop, festival elements like various events signage and festoon lights are integrated with lighting design, creating a festive atmosphere. The integration of a 35mm diameter zinc- coated pipe railing system and layer of signage on the building¡¯s exterior has been achieved. This ensures not only the one-way visibility of the signage from the outside but also a bidirectionality and transparency of signage that can be experienced from within the building. This provides a continuous experience between both the urban street and the architectural space. Instead of standardising the signage, efforts were made to accommodate it as freely as possible while ensuring spatial continuity without blocking the interior spaces.

 

Spatial Branding

We named it VENT to signify its role as an outlet for messages, both as a young and vibrant feature and as architecturally meaningful. It is designed with line lighting on stainless casing and installed on the upper truss corners. We hope that VENT, signifying the release of certain desires and emotions, will become another expressive venue located close to Hongdae.​ 

 

 

Collage elevation​​

You can see more information on the SPACE No. December (2023).

Architect

UIA (Urban Intensity Architects) (Wee Jinbok)

Design team

Kim Youngse, Ha Sinhae, Kim Seongjin

Location

14, Jandari-ro, Mapo-gu, Seoul, Korea

Programme

neighbourhood living facility

Site area

439§³

Building area

258.19§³

Gross floor area

1,452.23§³

Building scope

B2, 5F

Parking

13

Height

1,452.23§³

Building to land ratio

58.81%

Floor area ratio

199.99%

Structure

RC

Exterior finishing

Low-E double glass, exposed concrete

Interior finishing

polyisocyanurate board, gypsum board

Structural engineer

CNP DONGYANG

Mechanical and electrical engineer

Yousung Total Engneering Co., Ltd.

Construction

DASAN ENG

Design period

2021. 3. ~ 12.

Construction period

2022. 2. ~ 2023. 6.

Cost

4.99 billion KRW

Graphic design

Kerb

Façade engineer

FRONT Inc.


Wee Jinbok
Wee Jinbok obtained an architecture degree in Korea. He worked in the practices of Michael Hopkins and Richard Rogers after graduating from the AA School in London, beginning his career in 2000. Since 2009, he has directed UIA in Seoul, a term spanning 14 years, focusing on diverse architectural projects that prioritised innovative ideas rather than strictly adhering to a particular style. Notable works include the Stressed Tower in Teheran-ro, showcasing structural dynamics; the geometrically complete Gwangju Universiade Swimming Pool; the Pi-Ville 99 at Korea University, repurposing discarded containers into start-up incubators; VENT in the area near Hongik University, reorganising commercial building signage; and the recent Cloud, an air-inflated membrane structure transforming arcade of Sinheung Market, Seoul. His works have earned awards such as the Architectural Association Award and the Prime Minister¡¯s Award for Public Culture in Korea.

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