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The Healthy Coexistence of Architecture and our Planet: Ecological Matrix; Breathing Net

Soltozibin Architects

written by
Cho Namho
photographed by
Yoon Joonhwan
materials provided by
Soltozibin Architects
edited by
Han Garam
background

SPACE October 2023 (No. 671)

 

Ecological Matrix; Breathing Net 

 

¡®A facility related to everything around it in an ecological, aesthetic, and functional way.¡¯ 

Cho Namho (principal, Soltozibin Architects)  

 

Derived from a human-centric worldview, the notion of parts from the whole views each part merely as a component or means to an end. In ecology, on the other hand, the parts come from a whole, vice versa. The principle of the porous timber cell expands as a structural component, a unit of a net structure, integrating the outdoor performance stage with its surrounding space. Timber has contradictory characteristics, both weak and strong at the same time. The main reason for adopting timber as the primary material for the Ecological Matrix; Breathing Net (hereinafter Breathing Net) lies in its ¡®weak¡¯ characteristics. The ¡®strong¡¯ attributes of modern materials like steel and concrete, which were once used with the idea of protecting us, at some point turned against us with sharp edges. Just like the principle of tree bark, where weak unites to protect the inner part of the tree, an alternative material and construction system is proposed in place of strength.

 

Ecological Matrix; Breathing Net

 

Breathing Net has a relaxed geometric order that forges relationships. Centred around the outdoor performance stage, it integrates the four pathways leading to the stage and the shelters under a loosely netted roof. The new facility is not perceived as an object but as a neutral form that enables and coordinates relationships. However, its uniqueness is revealed by the combination of its porous surfaces. A 30¡¿11.5m space that includes the stage, corridors, stairs, auxiliary facilities, and pedestrian areas of the stage is covered with a roof of loose order, made of horizontal timber beams spaced 1m apart. The stage has been expanded to an 18m wide space that includes a corridor, proposing an open space not only for performances but also for various activities. The roof extended to the north pedestrian path forms a shaded shelter with a porous wall. This porous structure, over time and weathering, will become part of surrounding nature.

 

Ecological Matrix; Breathing Net

 

Forests are considered ¡®carbon sinks¡¯ when they absorb more carbon than they emit. Using timber, which stores absorbed carbon, instead of materials with high greenhouse gas emissions, contributes to mitigating climate change. When wood is used as a construction material, it is calculated to reduce 0.25t of carbon per 1m©ø of wood used. In addition to the carbon-reducing material characteristics, the ecological porous net I propose has the potential to expand beyond Seoul Forest to application as a universal urban architecture.​ 

 

You can see more information on the SPACE No. October (2023).

Architect

Soltozibin Architects (Cho Namho), Soltozibin Wood

Design team

Son Heejoo, Kim Boram, Lim Sooji, Lee Yukyung, J

Location

720, Seongsu-dong 1-ga, Seongdong-gu, Seoul, Kore

Programme

facilities for outdoor performance stage

Site area

207,082m©÷

Building area

310.32m©÷

Gross floor area

310.32m©÷

Height

6.15m

Structure

timber structure, steel structure (newly built ab

Exterior finishing

oil stain on heat treated timber

Structural engineer

GUMNA Structural Engineering

Construction

Supia Construction

Design period

July – Oct. 2022

Construction period

Nov. 2022 – Feb. 2023

Client

Design Policy Division of Seoul Metropolitan Gove


Cho Namho
Cho Namho is a principal at Soltozibin Architects. He has lectured at the University of Seoul and Seoul National University for many years. Along with various activities in the architectural field, he has long contemplated the relationship between architecture and society. Soltozibin Architects learns from historical precedents and moves towards creating a new kind of architecture. He was a member of Architectural Policy in Seoul, and a vice president of the Korean Institute of Architects (KIA). He has received the Korean Architecture Award Grand Prize, the KIA Award (five times), the Seoul Architecture Award Grand Prize and the ARCASIA Awards Gold Medal.

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