Plato Contemporary Art Gallery

KWK Promes / Robert Konieczny / Why Gunsan?: Project Re\Turning Gunsan / PROJECT / architecture / 72 / PROJECT, Plato Contemporary Art Gallery, KWK Promes, Robert Konieczny, Ostrava, Czech, moving architecture, museum, gallery, democratisation of art /

Plato Contemporary Art Gallery

KWK Promes / Robert Konieczny / Why Gunsan?: Project Re\Turning Gunsan / PROJECT / architecture / 72 / PROJECT, Plato Contemporary Art Gallery, KWK Promes, Robert Konieczny, Ostrava, Czech, moving architecture, museum, gallery, democratisation of art /

The Novelist’s City, Gunsan

Hwang Sok-yong / Why Gunsan?: Project Re\Turning Gunsan / FEATURE / INTERVIEW / art / 66 / FEATURE, INTERVIEW, Project Re＼Turning Gunsan, Hwang Sok-yong, novelist, Gunsan, Japan, industrial city, modernity, mindam, realism, history, KAALA, Global South, Halmae /

The Novelist’s City, Gunsan

Hwang Sok-yong / Why Gunsan?: Project Re\Turning Gunsan / FEATURE / INTERVIEW / art / 66 / FEATURE, INTERVIEW, Project Re＼Turning Gunsan, Hwang Sok-yong, novelist, Gunsan, Japan, industrial city, modernity, mindam, realism, history, KAALA, Global South, Halmae /

Gunsan’s Colonial City Block: An Indigenous User’s Manual

SoA / Lee Chihoon / Why Gunsan?: Project Re\Turning Gunsan / FEATURE / CRITIQUE / urban / 60 / FEATURE, Critique, Project Re＼Turning Gunsan, Lee Chihoon, colonial city, urban tissue, related population, Asayama Kenzo, Nagaya, Machiya, Omote, Ura, Omote, Ura, colonial Block, block interiors, Omote/Ura Reversed /