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Sensing with the Masses: ¡®if I Ought to Sing, I Don¡¯t Want to Be Part of Your Revolution¡¯

exhibition Park Jiyoun Oct 04, 2022


Image courtesy of Ilmin Museum of Art / Installation view of Folded​ 

 

¡®If I Ought to Sing, I Don¡¯t Want to Be Part of Your Revolution¡¯ will be on show at the Ilmin Museum of Art until Oct. 2. Time is described as ¡®flowing¡¯ or ¡®going¡¯ because we perceive time as a line that moves forward. Oh Min explores the attributes of time based on sound, video, and performance. The exhibition¡¯s title is a slight twist on the words of Emma Goldman, a feminist and anarchist activist. A colleague approached Goldman, who was dancing, admonishing her over dancing as a frivolous act, particularly for an activist fighting for a great cause. Emma Goldman responded, ¡®If I can¡¯t to dance, I don¡¯t want to be part of your revolution¡¯. The reason ¡®dance¡¯ was changed to ¡®sing¡¯ in the title is that the artist fosters a particular interest in sound, and the reason for electing this quote by Goldman is that the exhibition focuses on ¡®a state without hierarchy¡¯. The exhibition consists of the lecture performance video Post-Texture and a three-channel video Folded. In the history of music, texture refers to the organisation of melodies, and in tunes that sound harmonious, there is a sound that occupies the centre. The artist continued their explanation by naming the music that has lost its centre as ¡®posttexture¡¯. Folded erases the hierarchy between sounds by filling the space with sounds of moving objects rather than elegant melodies, and filming a situation on a multi-angle screen, allowing time to be perceived as a ¡®mass¡¯ rather than as a line that flows in one direction. The exhibition can be summarised through the keywords ¡®time¡¯, ¡®sound¡¯, and ¡®non-hierarchical¡¯, but it is structured as if it is a single mass in which no single element dominates. This means that the workʼs intentions and the exhibitionʼs composition are intimately connected. by Park Jiyoun


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